.hack//SIGN

No spoilers in this post. But do NOT read the Wikipedia article - it is FULL of spoilers. I will tell you what you need to know.

Basic Info
.hack//SIGN is a fantasy/sci-fi/drama/mystery/adventure made by Bee Train (Noir, Madlax, Tsubasa Chronicles) that ran 26 eps in 2002, followed by three episode-sized OVA's that act as tag-along episodes, from what I can tell. The music is by the ever famous Yuki Kajiura (Noir, Mai-HiME, Mai-Otome), considered by many to be some of her greatest soundtrack work to date.

Basic Story
The entire series takes place in a massive online multiplayer role playing game, sometime in the very near future. The World, as it is called, is extremely immersive that people use virtual reality headsets to play in. Tsukasa, around whom the story pivots, is mysteriously stuck in The World, unable to log out. We mostly follow the actions and conversations of a group of random players who come together over their concern/interest in Tsukasa's predicament. As the story unfolds, we slowly find out more about each character, including a little of their Real Live selves. To what extent is it "just a game" and to what extent do they take responsibility for their actions and for eachother as real humans? And how serious is Tsukasa's plight in The World - for him it's not much of a game as it is a Reality.

Other Commentary, Notes & Comparisons
.hack//SIGN could be the polar twin to Noir. While Noir has very little talking and TONS of action, .hack//SIGN has tons of talking and very little action. For being inside a video game, it is amazing at how little action takes place. Despite that, the element of the story taking place INSIDE a game is pretty novel. The game-slang is there, complete with acronyms (BBS - bulletin boards, PC - player character, etc) and the way people refer to the world around them verses the Real World.

That's probably the most interesting thing to me -- the divide between the game and the Real World. It's not so different from the Net world of LJ and email versus the "Real World". The circumstances between people meeting is different in both a game and the Net in general than from Real Life, but it all boils down to words and people, and that's the same no matter what the environment or mode of communication. This is something I think about all the time and it is a common theme in this series.

The story was a little hard to follow. I think this was largely due to the variety of subs I have in my episodes, though I downloaded all of them in one giant torrent. It may also just be due to the way characters say things in highly philosophical terms - characters in Noir were a little like this, kind of hard to follow in some of the brief things that were said or in how the plot was unfolding. Could just be a Bee Train thing. ;) The gist of it was enough to follow, though, so if you watch it, don't get too stressed out over missing a sentence or not knowing exactly what a character meant by such-and-such.

--Ohh, some fun trivia: one of the main-main characters, Mimiru, is voiced by seiyu Megumi Toyoguchi, our very favorite "Satou Sei" (MariMite) -- also "Meg" of Bakuretsu Tenshi, "Alti" of Simoun, and a ton of things most of us haven't seen. ;) I should of noticed as she uses her "normal" range, the same range she uses for Sei (she was unrecognizeable as Meg).

Yuri
There is VERY much an underlying yuri theme but it isn't a main focus or a fanservice element at all (there is NO fanservice whatsoever). It just happens to be there. I can't say more as it's toward the middle-to-end and I don't want to spoil. Just know it'll get there eventually. You don't see anything, nothing physically happens - nothing like that. But it is very human and that makes it that much more special. Brought tears to my eyes twice. :')

Music
In case I didn't mention, the soundtrack RAWKS. Miss Kajiura was allowed free rein on .hack//SIGN (and probably for Noir, as well). The director of Bee Train trusts her completely and just lets her compose whatever she wants - even with vocals, which is a rarity among in-episode soundtracks and she's one of the first to really do it, too. The result is that many of the tracks stand alone very well as just beautiful music.

Conclusion
Definetly a memorable anime. A second watch will probably reveal a lot more layers, particularly with the characters themselves moreso than the story. Has a ton of heart; isn't superficial at all or silly and though it can be dramatic it is never heavy handed. Kind of inspiring and uplifting. It's super heavy on the dialogue and light on the action and ALL about the mystery, which kept me hanging til the last second -- finding a place to pause between episodes was killin' me! Most certainly goes into my pile of favorite anime. :D

He Is My Master

(Make note that I was in a VERY lighthearted, VERY forgiving mood. I almost didn't keep watching this series, the use/abuse of the female characters is extremely terrible most of the time. Honestly, looking back I don't know how I could be so forgiving.)

He Is My Master is a 12-episode ecchi anime, based on a manga of the same name, about this rich perverted boy, Yoshitaka, who hires three girls to be his maids so he can get his jollies commanding them to do menial chores and spying on them with hidden cameras.

Sounds awful, doesn't it?
It was actually sort of funny. There's a lot of fanservice (nearly every ep has a nude bath scene), though not any of the jiggly-boob kind, which is the kind I hate the most. Basically a fanservice situational comedy with lots of ridiculousness humour, the humour making it entertaining enough. I hate to admit I got a few hearty laughs out of it.

The Story
Two sisters, Mitsuki and Izumi, run away from home in order to save Mitsuki's pet alligator, Pochi, from being put down. They end up in the service of Yoshitaka because a) they need a place to stay where Pochi can also live freely and this guy has TONS of land, b) Izumi breaks a bunch of stuff, thus owing Yoshitaka a ton of money so she's working for him to pay him off. Soon, a third girl, Anna, joins the cast as the third maid - originally after Yoshitaka himself, she becomes infatuated with Izumi and gets herself hired as a maid in order to be closer to her, even going so far as to learn Dutch and read up on the Netherlands so she and Izumi can run away there and get married. (This is the yuri content of the series - no, doesn't make it worth it).

Pochi is both disturbing as well as one of the more entertaining part of the series (we're being VERY forgiving). He's this giant cartoony alligator who does not speak. He is completely devoted to his owner, Mitsuki, and absolutely hates men and will protect the girls from them at all costs. Equally, he is obsessed with girls in skimpy clothes, especially Izumi, whom he loves to chase and rip the clothes off of. Which is totally disturbing, but it's funny when he "tastes" someone by chomping their heads/upper torsos. :D

Yoshitaka is obnoxious with his lowlife-ness and lack of decency, but what makes it better is that really, Izumi's younger sister, Mitsuki, the seemingly innocent one, is the person running the whole show. She thinks Yoshitaka's habits are silly and that anything can be fun, no holds barred - so it turns out she's using his inner nature against him for her OWN fun. O_O

The girls' parents are pretty strange. Their mother had Izumi when she was 16 and their dad is a total punk-rock lolicon. But whenever he gets out of control, the mom is there to whack him over the head with this strange statue/idol thing. The mom is strange; she thinks it's fine that the girls are living with a pervert, particularly if Izumi can marry into his money, but encourages Anna, saying to her specifically in one ep: "Anna-chan, love has nothing to do with gender, so go for the gusto, eh?" which is the greatest redeeming factor for the whole series.

Mitsuki is always having contests for things, which I got a little tired of. Izumi's protests at everyone obsessing over her got a little old, as did Pochi trying to rip Izumi's clothes off (which I never liked to begin with). Anna was great, though, in her die-hard chase for Izumi (there's one scene where Izumi tries to distract her and takes off her bra and tosses it, which Anna chases and gets, and we see her on all fours, drawn with dog ears and a wagging tail with the bra dangling from her mouth, all happy... It actually made me laugh).
~==~

Definetly not the deepest anime I've ever seen, though oddly definetly not the most shallow. It had brief flashes of heart (which Yoshitaka immediately shatters) but it's mostly about being silly anyway - I mean, it's SO over the top you almost forgive it for the awfulness. I give it 3 stars out of 5 just for Anna and Pochi. And Mitsuki - she was too diabolically kawaii. :D

Fight! Iczer One

So I've been going over and over the Shoujo ai anime list over at Wikipedia, looking for new stuffs to download. Iczer One is one of those that I downloaded. I figured, hey, it's only a 3 ep OVA, so who knows?

Yeeeeeaaaahhhh... it was bad. Mind you, this is basically a rundown of the entire plot. As if you're going to watch it, so it shouldn't matter, right? Anyway, spoilers ahead:

Visuals
As an anime from 1985, it certainly looks it. Kind of dark since it was all hand-done, lots and lots of lines and details everywhere, cheezy music, cheezy sound effects... it's OLD. One interesting thing, though, is that people are much better proportioned, particularly in the weight department. Our girls have a little meat on their bones - they look HEALTHY.

Story
The anime opens on some spaceship thingey on the far side of the moon. Everyone on board is female and apparently they are all named after colors. Two chicks, Cobalt and Sepia, are in a sci-fi bedroom area talking about a mission to prevent Iczer One from merging with her partner. Sepia tells Cobalt to be careful on her mission, and they proceed to make out. Oh yeah, they're buck naked.

So Nagisa is our main character, besides Iczer One. Nagisa is a schoolgirl, on her way to school when she spots Iczer One watching her from some trees. Nagisa comments to herself on Iczer's bizarre outfit before continuing on to school.

At school, Nagisa starts having daydream/nightmares as she's trying to take a test. This is when I realised this was a horror sort of anime as far s monsters go, something one should not watch while trying to eat squishy food. The kind of monsters with teeth and eyes and tentacles where those items should not be on a body. Really over detailed, slimy, and gross.

Later, Nagisa is surrounded by some masked students on the roof, falls off the roof, and is rescued by Iczer One.

Nagisa wakes up at home and the day starts as if nothing went wrong, except Nagisa's parents turn into those gross monsters like the ones from Nagisa's nightmares. I think the house turned into a monster, too, or something - I dunno, I was busy doing something else when it showed where the giant monster came from. Anyway, Iczer shows up and kills them all. Nagisa goes into a really idiotic fit about her mommy and daddy being dead and demands that Iczer give them back. Because, you know, you can raise people from the dead easy.

We keep getting scenes from on the ship on the far-side of the moon. Apparently, Sir Violet (a green haired woman with a man's voice) is in charge of the ship. She keeps talking to this giant wall of red, pustuley living tissue in the vague shape of a vulva with a really large golden transparent sphere where a clit would be. Inside the sphere is a golden female humanoid curled in the fetal position. Sir Violet does all the talking, we never hear what gold thing says.

As it turns out much later, the gold being is Big Gold (of course) and she, too, has a super deep male voice. She's in charge of this whole ship and all the beings on board. We eventually, excruciatingly, find out that their race are called the Cthulu and are very similar to humans and were apparently once part of earth before they left to... go elsewhere. Their planet is now dead and now they're back, though we dunno why. Big Gold's TRUE form is actually a building-sized super computer, as she is no longer alive. Iczer is a daughter of Big Gold or an artificial being derrived from Big Gold and just called her daughter. Who cares.

So, back on earth, Iczer is running around fighting monsters. She can shoot yellow beams out of her fists and is pretty super strong and agile. She also keeps slipping into Alternate Dimensions. To Quote Iczer, "I'm in an alternate dimension. Oh no!" Which is really pointless and dull.

She keeps trying to convince Nagisa to merge with her and fight to save the planet. Nagisa refuses. Eventually, Iczer calls upon her giant robot, called Iczer Robo, and beams Nagisa inside. While Iczer is in a pilot seat with small pink hoses hooked up to her bustier, Nagisa has to float around in a seperate compartment, buck naked, in some breatheable green liquid, with the same little hoses hooked up all over her body.

Nagisa refuses to fight.

Until Iczer brings up her parents death and suggests vengence. Suddenly, Nagisa thinks this is a hot idea and bOOM, the power of Iczer Robo is complete. By saying yes to fighting, they are now "merged" and fight as one.

And they do. And they win against whatever it was they were fighting. Oh, yeah, they fight Cobalt, who is in another robot. They rip Cobalt out of her robot and crush her.

So Iczer drops off Nagisa in her old neighborhood. The whole country has been overrun with a virus or something that turns everyone into monsters, but somehow Iczer thinks Nagisa will be just fine. Nagisa is suddenly is wearing a flashier, skimpy outfit. She asks Iczer what's up with this outfit and Iczer tells her it will protect her. Yes, of course - less clothes = more protection. Didn't we learn anything from Xena?

On her own, Nagisa goes back to her own house and finds a little girl and her mother, whom she befriends. She goes upstairs to her parents room and finds that the bodies are all gone somehow. But suddenly, monsters come out of the walls and floors and attack with face tendrils, which Nagisa's bracelet fry to a crispy pile of dust. All is saved...
... except back downstairs the mother of the girl is now a bloated monster. Nagisa toasts her, too.

I don't remember what happens next. Sepia is super upset and distraught over Cobalt's death. But the Cthulu have made another Iczer - Iczer TWO, who takes Sepia as her partner. They go down to Earth in a super robot, Iczer Sigma, and fight Iczer Robo. They rip Robo's arm off. Then, Iczer Sigma stomps on the little girl Nagisa was trying to save. With Nagisa horrified by this, suddenly power beyond belief comes to Iczer Robo and they do something amazing and defeat Iczer Sigma.

And it turns out that Nagisa had given her bracelet to the little girl, so she survived after all. So to protect her, they take hte little girl far far away to the countryside to protect her. But while they're there, Iczer Two arrives with Blue and Red and kidnap Nagisa and kick Iczer One's ass.

Back on the mother ship on the far side of the moon, Iczer Two wants Nagisa to be her partner since she's so powerful to Iczer One (who, by the way, seems to be passionately worried about Nagisa all the time). Iczer Two has Nagisa pinned to a wall in a cell and tries to force her to become her partner by having some pod creature at Nagisa's feet sprout tentacles, which menacingly wrap around Nagisa and hover over face in a threatening bukake pose.

Interstingly, with as many tendriled monsters as there are, none of them were sexual at all the way tentacles ALWAYS are nowadays in anime. This was the only scene with even REMOTE "sexual tentacle tension" and it wasn't much at all. Which is fine, as I don't care for tentales, but anyhow.

Also odd, as desperate as everyone is to destroy and stop Iczer, all the monsters always corner Nagisa, the source of Iczer's power, and then just... kinda hover there and watch. They never DO anything! Stupid monsters!

So... Nagisa, threatened by Iczer Two and the tentacle pod. Nagisa says she'd rather die, kill me now. As the tentacles near, she screams out for Iczer One.

Iczer one is unconcious in a field. Iczer Robo appears, beams up Iczer One, who then wakes up and beams to this monolith thingey, destroying Iczer Robo in the process of smashing through the walls. Iczer One is now surrounded by monsters and fights and kicks ass, before Iczer Two appears and brings out Nagisa, who now has glowing green glazed eyes. Telepathically, Nagisa calls out to Iczer and tells her she cannot control her own body -- shoot me before I shoot you and kill you. At first Iczer refuses, she's crying and torn over killing Nagisa. But then she shoots her anyway. Nagisa thanks her, then dies and we see her spirit drift toward Iczer and apparently get absorbed because suddenly Iczer gets her second wind, has super super powers and destroys Iczer Two.

Then Big Gold kills Sir Violet And shows up to congradulate her. Now let's take over the world. Iczer One says, "never!" so Big Gold suggests they fight in their true forms. Nothing happens to Iczer One, so that must be her true form, while Big Gold turns into a gigantic pillar of golden light. Calling Nagisa's name, Iczer surrounds herself with a gold bubble, draws her blue light saber, and flies into Big Gold, which causes Big Gold and Iczer to merge into one being, but technically, Iczer is the dominant personality/apperance/etc.

Stuff blows up.

Iczer is floating around in space or somewhere over Earth, holding Nagisa's body. She's saying now she has the power of Big Gold, she's going to find the Cthulu a new home and watch over them (so they don't go bad again). She's also going to grant Nagisa's wish to put Earth back the way it was. Which she does. Next scene is basically the same scene where we first saw Nagisa, waking up and getting ready for school. And on her way to school, she sees Iczer again but doesn't recognize her, while Iczer stands there with a goofy sad smile and tears in her eyes as Nagisa takes off with her friend to get to school on time.

The end.


Conclusion
Really gross monsters, stupid-stupid dialogue, trite characters with no depth. Hated the animation, hated the music and HATED the sound effects. There was very little yuri. The very brief nude makeout scene at the beginning, and then Nagisa and people are naked often, but that's about it. Nagisa depends on Iczer for protection but doesn't seem to love her or anything, and Iczer is just weird. She seems randomly obsessed with Nagisa the way Najara was for Gabrielle but no good vibes necessarily.

The whole thing is a super drama, no humour at all, and no POINT at all.
There you have it.

Wolf's Rain OST

Wolf's Rain OST I and II

I've got to say, this music is really good IN the anime but outside of it, I really don't care so much for it.

Yoko Kanno is a phenominally talented composer, having done the scores for "Ghost in the Shell" and "Cowboy Bebop". Some songs in the Wolf's Rain OSTs I really like but for the most part, it's just not my cup of tea musically. Jazz-based with lots of accoustic guitar, there are wonderful songs - I can appreciate the technical beauty and style of all the songs... I just... not for me, thanks. The songs I do like are the accoustic guitar instrumentals - those are just... wow. Like "Hot Dog Wolf".

I think Yoko Kanno writes technically more traditional, more complex music than Yuki Kajiura but she definetly writes the music as a soundtrack/score. Meaning the albums don't stand on their own very well, the overall flow feeling disjointed as is my issue with most soundtracks/scores.

Noir OST

I love this set of soundtracks, really just one split into two volumes on two discs. Yuki Kaijura is brilliant - she's done the soundtracks for .hack//SIGN and Mai-HiME as well as many others.

Several of the tracks stand out as songs that don't SOUND like they came from a soundtrack - always a mark of a good composer if the music can stand alone without having to rely on the imagery remembered from the series/film it was scored for. :) These songs exist because the director at BeeTrain asked her to simply write what she wanted - entire compositions, no holds barred, and that he and the animation team would then later work them in as needed. This is opposed to an artist writing a piece that is exactly a minute and some-odd seconds long to fit a certain scene. The result is that her soundtrack work sounds great as stand-alone music - it also shines through as one of the best element in any anime her work appers in.

Kaijura's work often sounds kind of new-age ish though for Noir there is a French tinge in many of the tracks. A mix of sounds smoothed over with the same flavor makes for a dynamic set - and I'm proud to say I own the actual CD's. :D (got them for $10 at a Sam Goody's that was going out of business.)

Years after watching "Noir" I still find myself listening to the soundtracks as stand-alone music. This is significant for two reasons: 1) I rarely like soundtracks and 2) I'm usually into a soundtrack simply as an extension of the movie/series it was from, not for the merits of the music itself.

Haibane Renmei OST

Three soundtracks worth of music, light and airy, countryside kind of music with both middle-European and Japanese influences, accoustic with harpsichord type strings, guitar, flute, tambourine, harp, violin... very light and relaxing, nice to listen to first thing in the morning when you want some tunes but nothing heavy or too driving.

I haven't listened to all of them all the way through yet but I really like what I have heard so far. :D The three soundtracks are called:
Haibane Renmei Soundtrack: Hanenone
Haibane Renmei: Petitnone ~Out Of Tracks~
Haibane Renmei Image Album ~"Sei naru Shoukei"~ (an image album, of course, being songs inspired by the series but were not IN the series... I think.)

The opening theme is, of course, the best but there's a wonderful song called "Wondering" off the first soundtrack that will bring tears to your eyes (well, it will if the anime moved you at all). It's a beautiful, wistfully sad song with Uillean pipes that would go well with Celtic Christmas music. ;)

Bakuretsu Tenshi OST

Bakuretsu Tenshi (Burst Angel)

I FINALLY got this! I had to track down people on some torrent boards and beg them to seed it - crazy.

It's two discs worth on just one OST. It's got a "good, bad, & the ugly" dirty electric guitar western kind of theme but with a modern beat and some futuristic sound effects for ambience. Definetly has a "ride to the sunset" mood. It's funny because I really didn't recall the music from the episodes all that well at all. Then as I listened to the soundtrack, I found msyelf recognizing most of the 46 tracks. O_O; :D

Good background music, fun to listen to. Nice to have but not as much of a keeper as, say, soundtracks by Yuki Kajiura. ;)