Spoilers for the entire series: this is a rant. Consider yourself warned.
When I watched this, I was watching it for yuri content and little else. It wasn't the most painful thing I'd ever seen, and sadly I must admit the masturbation scenes (Hazuki) were unfortunatley the best part if you're going to be a loser fan-girl about it, because any scene involving Hatsuki (Eve) was just too painful to watch. Some of the episodes were dreadfully boring - like, most of the ones without Hazuki. Episodes with Gargantua were dull - and he just pissed me off. The only decent eps with him were of when he was a kid, and even then only the last episode of him with a kid was at all interesting to me because at that point they'd finally FOUND Eve and I was able to cheer Hazuki on in trying to talk Eve/Hatsumi into staying with her.
Which of course, didn't happen, and the whole thing being in Hazuki's head and she being the only one in her reality to remember Hazuki was ridiculous. How depressing is that?!? What is the POINT of an ending like that? I *almost* don't mind tragic endings if they have a greater purpose, but this one didn't. Eve is all powerful, she could choose to be with whomever she wanted to. I mean, its' not like she'd be missed at the library -- she'd already been GONE for hundreds of years, albeit in different worlds for 16 years at a time, but still, she never went BACK to the library or her real job in between those lives. So what DIFFERENCE would it make if she took one more little break and spent a life with Hazumi?
And Lilith's hat was UGLY and large and pointless. I hated it near as much as I hated that bloated little bird.
I liked the outer space episode, that was pretty good. The thing with the parents was CREEPY. I didn't see that coming at all.
Anyway. As much as I just complained, I don't regret watching it at all. I don't think I'll watch it AGAIN, but as far as shoujo-ai/yuri history goes, it is a well known example (unfortunately, heh) and to have a better frame of reference for yuri in anime, I feel more knowlegeable the more I watch. Like with lesbian films - I've watched a lot of them, and a lot of bad ones, too (like "Therese and Isabelle", this 60's French pulp black and white film that was SO terribly dubbed in the version I saw... it was laughably bad - to the point of where I'd actually watch it again just to make fun of it some more). So, yeah.
Tuesday, August 30, 2005
Thursday, August 25, 2005
This is one of those wonderful instances of happy accident. My boss was the one who stumbled upon The Birthday Massacre (TBM for short) while looking for a "happy birthday" song to send to someone for their birthday. He found the song "Happy Birthday" by TBM and was disturbed by it. I went and listened to it to see what he was talking about and liked what I heard. I made offsite backups of their songs to review before purchasing both their albums Nothing and Nowhere and Violet.
TBM's music is hard to describe. It has heavy synth-goth electric guitars remeniscent of APerfectCircle/Lacuna Coil/The Cure - with that warped echoey 80's sound. The chord progressions are not your typical metal/goth at all. Then there's all this 80's synth that sounds like something from an 80's cartoon film like Rainbow Brite except that the mood of the music overall kills any potential cheesyness usually associated with such synths. And that's the key to the music - the mood it captures. The lyrics themselves are dark; horror stuff - like a narration from the video game "Alice" or if you made depressing endings for 80's films like "Pretty in Pink" and "Sixteen Candles". TBM's name comes from one of the songs, about a literal birthday massacre where the birthday boy and his girl kill all the guests. But if you weren't paying attention to the lyrics of most of their songs you wouldn't guess that's what they were sinigng about because the music doesn't have that immediate sense of doom or horror that most pop-goth music does.
The most impressive thing for me is the nostalgia of it. You probably had to of grown up as a kid in the 80's to really appreciate this: for me, my most treasured memories of being a kid in the 80's were of swords and sorcery, of riding horseback and defeating immesurable etherial magics. Stuff like "The Neverending Story", "Labyrinth", and Jim Henson's "the Storyteller" capture that dark mythology with creatures equally scary and creepy but fascinating and magical. TBM's music, for me, captures the sound of my memories, the way I felt back then, believing in this drama much larger than me. Their music is at once 80's but dark and mysterious and modern at the same time. I've never heard anything that FELT like a memory before; like I know it. It's like smelling something that you hadn't smelled since you were a kid and wondering how the hell it could be here, now, and being overtaken with memory at it.
So, yeah. Yay! I likey very much. Oh, and very cool - they recorded this as their previous incarnation "Imagica" - they did a remake of the Neverending Story theme song. :D Which is probably the most positive/bubbly thing they've done by far, but hey....
Edit to add: I always thought the lyrics and mood of their song "The Dream" described the main character Sarah of the film Labyrinth pretty well. Then one day I stumbled across a fan video for Labyrinth that uses this song! It's not half bad, either. :D